Alireza hosseyni; fatemeh zamani; laila sahraiyan
Abstract
Bohtory is one of the prominent Arab poets in Abbasid era. His poetical works contains many descriptive and praiseworthy poems that deal with Iranian history, culture and art in various forms. According to the content and texture of the word, recreates the great kings, musical instruments, architecture, ...
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Bohtory is one of the prominent Arab poets in Abbasid era. His poetical works contains many descriptive and praiseworthy poems that deal with Iranian history, culture and art in various forms. According to the content and texture of the word, recreates the great kings, musical instruments, architecture, clothes and names of Iranian cities, etc. Therefore, studying how and why Iranian culture and thinking is better influenced is very important. Therefore, the present study, relying on the intertextuality approach that explores the influence of texts from each other, has considered Iranian history, culture and art as a per- text. Then, the various forms of the presence of this hidden-text in the context of the poems and words are examined better and its implication and semantic levels are analyzed. The result of this study indicates that Bohtory, by mentioning the geography of the land of Iran and mentioning its cities well in his poems, has praised the geography of Iran for welcoming his Iranian praisers. By likening his praises to the Iranian kings and ministers, he forms a descriptive system of Iranian sultans with the meaning of power and monarchy. The poet also pays attention to the types of Iranian art such as music, architecture considers the secret of the permanence of his praise of the Iranians in their efforts to preserve and revive Iranian rituals and customs.
